What can the high-rise contribute to the Gesamtkunstwerk city and how do you use it effectively? “workflow” takes a look behind the facade of the high-rise phenomenon – including the three new buildings that will be constructed in the center of Seestadt.
This is the center
“We want to create points of identification,” says Robert Grüneis, CEO of the development company Wien 3420 aspern Development AG. “In an urban environment like Seestadt, which is not exactly small, a high-rise creates identity.”
The aim is for all residents, not just those living in the high-rises, to feel comfortable with these buildings and enjoy them. And of course, they provide a point of orientation. I personally like to cycle around Donaustadt – and when I see the HoHo in the distance, I know roughly where I am and which direction I need to go.” The three other buildings that will soon join the HoHo are also intended to serve as attractions – and embody the idea of Seestadt. After all, only something that has identity itself can create identity.
High-rises can create identity, be places of well-being, and serve as landmarks for everyone.
Robert Grüneis
Vorstand aspern Development AG
The lake has always been set as the heart of Seestadt,” says Grüneis, “but on its own, it cannot yet provide urban life. The tall buildings around it signal – this is the center, the marketplace, so to speak. And with their lively, diverse ground floors and small squares, they give this urban life space. The necessary activity in this area comes, among other things, from stacking a variety of functions on top of each other. In my opinion, this is exactly what creates a special aesthetic, because it helps us avoid uniformity. The interplay of the individual ensembles – including the skyline on the southern shore of the lake – will be particularly exciting.
Lili by the lake. The second winning project on the waterfront by F+P Architekten, querkraft architekten with YEWO Landscapes, scores with arcades, a green, lively base zone, and an elegant twist.
High-rises are team players.
One member of this advisory board is Ute Schneider, TU professor of urban planning and design and partner at KCAP. As an image, she chooses – where Lorenz sees the “cone” – the needle: because she, too, does not want to see the high-rise left alone in urban space. “At the base of a high-rise, all the infrastructure is concentrated – connections, statics, technology, utilities, which is why it makes sense to position it on a broader base to generate enough volume for uses that attract the public and activate the urban space.
The third winning project, featuring lush greenery, comes from Klammer Zeleny with Lindle Bukor, engineering office for landscape architecture, and will flank the subway together with the HoHo (right).
It’s the same in Seestadt: all the new high-rises are built on a base, and that makes sense. High-rises are frequented by many people – sometimes at the same time. They need to get to and from the high-rise. Inside the building, not only people have to be transported between floors, but also goods, electrical and data lines, air, water, and more. All this requires a lot of space. To create an attractive and lively environment in the urban space, especially on the ground floor, you need enough “meat on the bone”: restaurants, shops, and similar amenities that make the location appealing to the public.
In such clusters, the location and orientation of the buildings to each other is essential, because, as Rudolf Scheuvens, professor of local spatial planning and urban development at TU Wien and juror in the Seestadtkrokodil competition, says, “high-rise projects must always take into account increased requirements regarding climatic effects, wind comfort, fire protection, and resource issues – such as materials, energy, and building services.”
Downwinds sliding along facades or wind tunnels between high-rises reduce the quality of stay. Shade can be useful in summer but counterproductive in winter. All this was optimized in Seestadt using computer simulations, as Robert Grüneis explains. There are also aesthetic qualities, says Ute Schneider: “If you look at the high-rise cluster in the City of London, it’s reminiscent of Mont Blanc – you just can’t see through it anymore.” A skyline should be permeable, both for air flows and sightlines. High-rise clusters should be created in central locations with excellent public transport and should be highly visible. Sightlines into the depths of the city, to the sky, or to an attractive landscape behind should definitely be preserved.
The vertical neighborhood.
The vertical neighborhood. Since around the 2000s, urban development has been moving away from monothematic neighborhoods where people only work, live, or produce. Today, the goal is again to create diverse, vibrant neighborhoods where uses blend and complement each other. This also applies to a high-rise, which Scheuvens aptly calls a “vertical neighborhood”: “The ground floor zone must be seen as an extension of public spaces and programmed and designed accordingly. Equally important is the usage concept for the entire building, which can also be interpreted as a vertically organized neighborhood. In a high-rise, you can live and work, and there is space for cultural and social amenities and facilities.” Regina Freimüller-Söllinger, whose firm Freimüller Söllinger Architektur ZT took second place in the Pier 05 competition, can only agree: “The high-rise must contribute to the neighborhood on a social, infrastructural, and energy level. Semi-public and public base uses and integration with open spaces are very important to me, as they ensure a lively neighborhood.” In terms of land sealing, the three new projects benefit from the building form itself, as Freimüller-Söllinger explains: “Structurally, the high-rise is the perfect example of vertical urban densification.” Stacking is space-saving – and once again, the 15-minute city comes to mind.
High-rises can create identity, be places of well-being & points of orientation for everyone.
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